Philips Fixables
This is such a great idea - Philips are offering the files so people can 3D print replacement parts as needed. This feels like the future I actually want.
This is such a great idea - Philips are offering the files so people can 3D print replacement parts as needed. This feels like the future I actually want.
I must have sent this privately to at least a dozen people but I realise I’ve never actually posted this on my own website. So I’ll say the same thing I did in all of those private messages: please, if you haven’t seen it already, take 19 minutes out of your day to watch this. I guarantee your day will be improved by this talk. I mean, yes it’s a story about a silly piece of McDonalds art but it’s also about value and legacy and wanting to be seen, and every time I watch it, it leaves me absolutely sobbing.
Rob Harvilla and Yasi Salek are my favourite music podcasters and Chris Ryan and Sean Fennessy are my favourite movie podcasters. So this special live episode was a delight.
In my house, we’ve started singing “everything is broken all of the time” instead of “little bit of everything all of the time” line from Bo Burnham’s “Welcome to the Internet”. We do it every time we encounter a problem with our tech (“Hey Siri what’s 5 times 3?” “I found some web results, I can send them to your phone” - great stuff, thanks Siri).
So Ed Zitron’s recent Web Summit talk about why all tech is so terrible now really resonated with me (tl;dr it’s because of greed). It’s great to see someone else so passionate and angry about it.
ASMR isn’t really my thing but the amount of work that must have gone into this is really staggering.
This is currently on hard rotation in my house.
I let out the biggest FUCK YES when I found out the first trailer for Furiosa just dropped. And immediately out came all the haters to say “it looks too CGI – I loved the practical effects of Fury Road”.
Ah yes, Fury Road, the film that didn’t have any CGI at all.
One thing I noticed while looking over the old trailers for FR was this shot from the Comic-Con trailer (released July 2014)
Compare this with the same shot from the final trailer (released December 2014)
Yep, no CGI at all.
Wait, shit, speaking about Tim Schafer, I should also throw some love at Double Fine’s PsychOdyssey which was released earlier this year! It’s an epic warts-and-all, 6 year long behind-the-scenes documentary about the making of Psychonauts 2. The BTS stuff we usually get for most games is part of the promotion of the game, and the PR people would never allow anything bad to be shown. PsychOdyssey, on the other hand, shows a company at its best and at its worst and it’s absolutely insane to me that a company would allow itself to be so candid. By the end, I was sobbing. Sobbing.
Honestly, even if you’re not into gamedev, this is worth your time, just because I don’t think we’ll ever see anything like it again.
Or, if you don’t like Vox’s video essays, you can check out the article that inspired it.
tl;dw: companies cheap out on products because the cost of everything (labour, materials) has risen and as consumers we probably wouldn’t pay a fair market price.
Solo Solo Travel is one of my favourite YouTube channels to watch before bedtime. It’s a type of ASMR, I guess, like a soothing digestif to help me wind down for sleep – mostly-wordless videos of someone traveling around Japan on various forms of transport. The thing I love most about the videos are the captions the filmmaker has added to describe what they’re doing/seeing. This person is an underrated comedy genius. Perfect timing, perfect phrasing. My wife and I watched this one the other night, where the person is traveling around one of Japan’s islands on one of the most exclusive trains in the world (pretty niche content!) and belly-laughing our way through the entire thing.
This is a wonderful essay about Everything Everywhere All At Once’s portrayal of masculinity. I hadn’t consciously picked up on Waymond’s lack of a character arc, but it makes so much sense.
Also EEAAO (as no-one is calling it) was unexpectedly one of the best films I’ve seen so far this year. If you’ve been putting off watching it, please do check it out.
I was watching Thief the other night and couldn’t get over how James Caan (RIP to a real one) was only 41 in that film but looked so much older. This is a great explanation of why that is.
2,400 CG artists were all given the same basic animation and this is the 100 best renders. They’re all great, but some of them are jaw-dropping.
I have no doubt this will eventually get sherlocked because it’s such a great idea: use your video’s virtual background for actually useful stuff, like presenting slides, so that the audience don’t have to choose if they want to see the presenter or the slides.
While we wait for David Ehrlich’s video of his best films of 2019 (which are still the high water mark for this kind of thing - 2018, 2017, 2016, 2015, 2014, 2013, 2012), Sleepy Skunk has put together a pretty great mashup of some of the trailers from the year.
I’ve probably seen maybe a quarter of the films in this video, and of the one’s I’ve seen, not all of them were particularly great (I wasn’t, for example, a fan of Midsommar. In fact, I think Ari Aster might be a complete charlatan), but in the context of this mashup, they all looked amazing. Which made me think maybe Errol Morris was right when he said
I believe that there are no good movies, no good books, no good music compositions just great scenes, great passages, great moments.
(Except for Mad Max: Fury Road. That is a perfect movie.)
Over the summer, I watched the Showtime documentary series Shangri-La, which is all about Rick Rubin and creativity and inspiration and his Malibu studio, which is treated like some holy place by everyone in the documentary. For example, when they are between artists, Rubin has his interns repaint the studio floors - I dunno, to make it feel like some blank page for the next artist that’s going to use it?
By contrast, Billy Eilish’s When We All Fall Asleep, Where Do We Go? was produced in her childhood home, by her brother, using prosumer-level equipment. And, for my money, it was one of the best-produced albums of 2019.
This video is a really great companion piece to Shangri-La - both emphasise how important the space is to the creative process, but they approach the topic from entirely different ends of the spectrum.
Okay look, this video kind of goes a little “maybe the real books we read were the friends we made along the way” at the end, but it’s got a wonderful (if slightly obvious/well-trod) set of central messages: make time for more reading and you’ll read more; there’s no “canon”, just read widely; enjoy it.
But the thing that really blew my mind was how these enormous, gorgeous book stores are thriving in the 21st Century. Ateneo Gran Splendid was only opened in the year 2000. And the thing I noticed was how they aren’t just places to buy books - they have cafes and bars and patisseries to help you enjoy your time in the space, not just get in and get out as fast as you can.
There are so many great things in this video. My favourite is the tiny detail about how the characters are animated on every second frame (animated on 2s), and how they used this in the forest scene where Miles and Peter are swinging through the trees but they’re both animated on different 2s to indicate how their personalities aren’t in sync yet.
We visited the Titanic museum in Belfast last year and it was a great museum but honestly, this connected with me on a much deeper level. There’s a good reason the narrator keeps saying “just imagine”.
Because just imagine.
This is some pretty cool news - the Rijiksmuseum in Amsterdam will be livestreaming their restoration of Rembrandt’s The Night Watch.
If you don’t know much about this painting then you can do a lot worst than checking out Peter Greenaway’s film Night Watching, which is a weirdly mesmerizing primer on the history behind the painting, told as if it was a Rembrandt painting itself.
I spent way too long on this dumb joke.
There are two times when it’s appropriate to use Clair de Lune: over amazing high-resolution videos of sunrise on the moon, and the ending of Ocean’s Eleven.
That’s it.
See also: Tom Waits gives a brief history of John Baldessari.
This is very good, if 70-minute documentaries about Monkey Island are your kind of thing.
(They are very much my kind of thing.)
Spoiler: yes they can.
(My favourite part was the jiggle to get the dowel into place.)
See also: Hikea, where people take LSD and try to assemble Ikea furniture.
Not kidding, this video made me so homesick, my heart actually hurt.
The Apprehension Engine from Mark Korven on Vimeo.
The composer of The VVitch designed an analogue instrument designed to create disturbing sounds. And I’m so jealous - this looks like so much fun. More about the background of the instrument.
Andrew Rea’s Binging With Babish is my new obsession. He’s a filmmaker and amateur chef who deadpans his way through recreating dishes from films and TV. Like, I was tempted to share the video where he made the “Moistmaker” Thanksgiving leftovers sandwich from Friends, where he went out and cooked an entire 20lb turkey just for ONE sandwich. Instead, I’m highlighting the video where he recreates Kevin’s chili from The Office and serves it authentically: on a sheet of cheap office carpet.
THE 25 BEST FILMS OF 2016 from david ehrlich on Vimeo.
This is SO good. A great list, in a really great video.
SO good.
In 1979, Tom Waits made a music video for “The One That Got Away”. 5,000 rotoscoped frames of animation. Here’s one of the live-action videos they used to make the animation, proving that in the 70s, Tom Waits was as close to a horny cat from a Looney Tunes cartoon as any human would be.
You can read more about the production (and buy an illustrated scrapbook) from the director.
In 2001, BMW hired a bunch of amazing directors like John Frankenheimer and Tony Scott to create some short films for them. Branded content. The two common threads in each film were the make of car (obviously) and Clive Owen as “The Driver”
Fifteen years later, we’ve got a new one. This time it’s been directed by District 9’s Neill Blomkamp and starring Dakota Fanning and Jon Bernthal.
In case you missed it, here’s Tony Scott’s one from the original series, starring Gary Oldman as the Devil. It’s mid-career Tony Scott in all his most bonkers.
I have a bit of an obsession with Casey Neistat. Or rather, I’m obssessed with Casey Neistat’s process. He’s messy but organised, chaotic but meticulous. Watching this video made in 2010 about the 10 rules for Tom Sachs’ studio (Casey Neistat was one of Tom Sachs’ studio assistant), you can really see where he got a lot of his ideas.
No more teaser trailers or trailer teases, this is the real thing. And here’s my HOT TAKE, basically my thoughts as they happened watching the trailer:
Overall, I’m cautiously optimistic about this one. It looks great, really nailing the 70s aesthetic with a cinéma vérité feel. But Edwards’ last film, Godzilla, was let down by its characters and nothing in this trailer suggests things have improved.
I’ve said it before, but Noel Gallagher gives the best interviews.
Four little words that guarantee I’ll drop whatever I’m doing to make time for: “narrated by Tom Waits”.
John Baldessari was Tumblr before the internet was ever a thing, and this is a terrific introduction.
Drop whatever you’re doing and make time for this.
This is so good. And I feel like a lot of what Ta-Nehisi Coates says in this video is applicable to any sort of creative work.
Old one, but still fantastic. Always amazing to see the process of someone who is just great at their job.
A couple of weeks ago, Jamie Harrington appeared on Humans of Dublin talking about how he helped save a suicidal man by just asking if he was okay.
I was just on my way to the American sweet shop to buy some Gatorade, when I saw this guy in his 30s sitting on the ledge of the bridge. I just thought, “wow…” I stopped and asked him if he was okay, but I knew from the look in his eyes he wasn’t, and he didn’t say anything either, but I saw tears coming from his eyes. I pleaded with him for a while to come down and sit on the steps, and eventually he did. We sat on the sidewalk on the south side of the Liffey and talked for about 45 minutes, about what was happening to him, why was he feeling that way…
(If you’d rather hear him tell the story, he was on the August 8th edition of RTÉ’s Playback - skip to ~30'00)
From the IMDB’s trivia page for The Hateful Eight:
According to Quentin Tarantino, this show is inspired by the Western television shows Bonanza (1959), The Virginian (1962) and The High Chaparral (1967): “Twice per season, those shows would have an episode where a bunch of outlaws would take the lead characters hostage. I love it in a Western, where you would pass halfway through the show to find out if they were good or bad guys, and they all had a past that was revealed. Just a bunch of nefarious guys in a room, all telling backstories that may or may not be true. Trap those guys together in a room with a blizzard outside, give them guns, and see what happens!”
I wasn’t crazy about Django Unchained, but I’m pretty sold on this.
(Also, it’s hard to believe this is only Tarantino’s eighth film.)
Pixar are pretty great at pulling at my heartstrings, but this is the first time they’ve made me cry during the trailer.
This looks amazing.
:
RIP.
Someone put together all the best bits of PT (one of my favourite games of last year) and cut them together as a ‘found footage’ horror film. And you know what? It still scares the pants off me.
My favourite part of this video is where she’s standing next to the owner of the fleshlight factory and the interviewer asks the owner “have you ever used the fleshlight?” and he’s like “of course!” then realises he’s standing next to the lady whose fake vagina he masturbated into. I haven’t seen anything that awkward in ages.
A while ago, I went through a rough patch, both mentally and emotionally and this speech – specifically the audiobook version – helped get me through it. I’d listen to it at night when I was more likely to be hit with a panic attack and it helped calm me and also helped me think outside of myself, which was exactly what I needed.
God, I miss DFW.
ATROPA -- Sci-fi Short from Eli Sasich on Vimeo.
Neven Mrgan on Why Skeuomorphism Is Like a Classic Car from Story & Pixel on Vimeo.
See also the barbershop quartet arrangement from Bioshock Infinite
Gentlemen of Letters - A Dublin Sign Painting Film from Colin Brady on Vimeo.
It’s easy to take for granted just how important hand-painted signs are to the visual identity of Dublin city. This is a lovely documentary that shines some light on the people whose work we see almost every day.
Jodorowsky’s version of Dune is right up there with Kubrick’s Napoleon as one of the most famous films that never was. This documentary is an amazing glimpse at what could have been.
Fan-made trailer for The Warriors. Spot on.
This is lovely. Who couldn’t use a few more moments of pure, uncynical joy in their lives?
This is on heavy rotation in my house right now.
Is it weird to miss someone you never met? Because I really miss David Foster Wallace.
I never really understood the point of Vine before. Now I get it. I totally get it.
Blown away.
Journey’s composer, Austin Wintory, gives a fascinating annotated walkthrough of the game’s orchestral score.
Happy Valentine’s Day.
Tegan and Sara have spent years putting out what I can only assume are perfectly fine indie records. I wouldn’t really know, because they never really appeared on my radar (I listened to Sainthood a bit, but it didn’t grab me). Now, they put out an album of amazing pop and I can’t get enough.
Bullshit indie bands: more amazing pop, please.
Watch Tom Waits on PBS. See more from Austin City Limits.
PBS have a video of Tom Waits’ concert from Austin City Limits in 1978. Such a great show.
This changes everything.
Ireland’s late entry into the space race.
My new show, #Tabletop, premieres today. Episode 1, Small World, with @day9tv, @grantimahara, and @jennabusch is LIVE!
Table Top Episode 1: Small World (by geekandsundry)
Early Bird Special: YouTuber danielbwilson writes: “Discovered completely by accident by putting the toys away, it just had to be recorded and shared. Alone these toys seem innocent, but together, it is just wrong. Elmo Live and Tickle Me Extreme Cookie Monster.”
[reddit.]
48 films’ worth of ownage in two minutes.
Or, FUCK YEAH BLOOD, GUTS & CGI.
(via The AV Club)
Spielberg, fresh off Jaws, watching the 1976 Oscar nominations.
“I didn’t get it! I wasn’t nominated! I got beaten out by Fellini!”
If you’ve got 35 minutes to spare, you could do a lot worse than spending it in the company of Ron Gilbert and Tim Schafer, talking about graphic adventures.
Hereford, Hereford, Hereford.
Double Fine are using Kickstarter to fund their new adventure game. 140% funded in 24 hours.
Seriously, this is monumental.
DISNEY HISTORY INSTITUTE: Disneyland Canon: 1957 via Waxy
One thing stood out watching this amazingly restored home video of Disneyland. With ‘Main Street USA’, Walt Disney was attempting to recreate the atmosphere of small-town America that he grew up with - the America of the 1900s and 1910s. This video is from 1957, so most of the people walking through this section of Disneyland had either direct memories of this period or were only one generation removed from it.
If you visit Disneyland now, you’ll walk down a Main Street USA that is still going for that same atmosphere of turn-of-the-century Americana, even though the people visiting it are likely four or five generations removed from this period. They don’t have any nostalgia for this time. They probably don’t even know what the hell a “Penny Arcade” is.
Interestingly, if Walt Disney was just getting started today, and was building his first park now, the atmosphere of small-town America he would be creating would actually be the America of the mid-1950s - the time when Disneyland was actually built.
“Pain or damage don’t end the world. Or despair. Or fuckin’ beatings. The world ends when you’re dead. ’til then, you got more punishment in store. Stand it like a man - and give some back.”
4,748 Self-Portraits and Counting
I think Jeff Harris just became my new personal hero.
**Filipino traffic cop is possessed by the funky ghost of Michael Jackson** > >Even if you’re stuck in rush hour Manila traffic, at least the traffic cop’s a smooth criminal.
Submitted by Delsyd
Butch Walker And The Black Widows - Synthesizers
Lisa Hannigan - What’ll I Do?
Goes to show that all you need for a successful video is a decent song, a ridiculously cute singer and a rollercoaster. The rest will take care of itself.
Oh, the Places You’ll Go at Burning Man!
Beautifully done.
Trailer for Ridley Scott’s Prometheus. Love all the little nods to the trailer for Alien. Honestly, I haven’t been this excited about a film in a long time.
The Sundays - Wild Horses
You would not believe how much this songs mean to me.
FILM THE POLICE - B. Dolan feat. Toki Wright, Jasiri X, Buddy Peace & Sage Francis.
This has been my favourite Christmas song for years now, but it’s got a whole new meaning for me this year.
David Attenborough’s version of What a Wonderful World. And you just know he means it.
Is this what happens when you get older? You don’t listen to The Smiths when you’re feeling sad. Instead, you start listening to Gilbert O’Sullivan?
Just me? Oh.
Honestly, if I had a time machine, I wouldn’t go back and murder Hitler as a baby or chill with dinosaurs or any of that shit. I’d go back to 1983 and go see Talking Heads on their Stop Making Sense tour.
Scientists: get on it.
The BBC has put up a collection of clips from Tomorrow’s World, from its first episode in 1965 until its last in 2003.
As a huge nerd who is also a fan of kitsch bullshit and mid-century design, this is absolutely wonderful.
“Mahna Mahna” is as catchy as a song can be, like a fishing hook stuck in your tympanum. Most people know the tune from a classic sketch that aired during The Muppet Show’s 1976 premiere, in which an orange-haired hepcat unsuccessfully tries to persuade two hot-pink creatures with long, disapproving snouts to get into the “Mahna Mahna” groove. But the bit goes back further, and the song further still, originating in, of all places, an Italian soft-core movie called Sweden: Heaven and Hell.
Well, I’ll be.
I did the maths and worked out that I’ve seen Billy Bragg play live almost every year for the past 15 years. (When I first started, I was consistently one of the youngest in the room. Now, not so much.) One thing I look forward to is seeing how he’ll adapt this one song, Waiting for the Great Leap Forwards, to reflect the current political and cultural landscape. This 2011 version is pretty spot-on.
For comparison, here’s 1988, and 2006 (you can actually see my head in this one - that’s me just around Billy’s right foot).
I can’t say for certain, but I really hope that’s the first time a Tusken Raider has given me a boner.
Cute ad for Call of Duty: Modern Warfare 3
STARRING KURT RUSSELL
Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It’s long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind.
I would love to know who thought it would be a good idea to give Diablo Cody an interview show. I’m sure she has many talents, but being a good interviewer is not one of them.
Having said that, you should skip to 13:45 for one of the funniest things I’ve ever seen.
Trailer for Ecstasy of Order: The Tetris Masters, a documentary which looks like a perfect mix of King of Kong and The Wizard.
There’s a technique to a good car chase. A craft. When it’s done right, you’re watching people working on the edge of control. Regardless of whether the baby-carriage shot is real or staged, the shot immediately after – of Gene Hackman’s car ploughing through the garbage and almost hitting the camera – is real.
“The Princess Bride” Reunion
TV’s best “very special episode” moments.
I had NO IDEA Mr Belvedere was Roger De Bris from The Producers. My tiny mind is blown.
This is exactly how I would react too.
The Ira Glass Sex Tape. So well done.
It is worrying how much I relate to this whole Louis CK bit.
As mentioned on this week’s Radiolab podcast.
Set to become the Dramatic Chipmunk of 2011.
Happy 100th birthday, Flann O’Brien/Brian O’Nolan/Myles na gCopaleen.
A Pint Of Plain Is Your Only Man (by clarebannerman)
Gorgeous timelapse of Dublin by Richard Twomey
There are plenty of examples of movies with similar plots or themes coming out around the same time as each other. Dante’s Peak and Volcano, Deep Impact and Armageddon, Coco Chanel and Coco Before Chanel. A lot of these can be dismissed as just coincidence. Deep Impact and Armageddon both have giant asteroids coming to wipe out life on earth, but that’s where the similarities end.
As the trailer mash-up shows, there’s no way you can write off Friends with Benefits and No Strings Attached as just coincidence. They’re just so similar, there has to be something more to it. So, having now seen both these movies, here’s what I think.
I think what happened is that after Natalie Portman won the Oscar for Black Swan, and Mila Kunis got nattin, the two of them got into a scrap and decided to see who was actually the better actress. And what’s the best way to do this? With both of them making the exact same movie.
Because there’s no other explanation.
Also, the Natalie Portman movie is better, by virtue of the fact that it’s vaguely coherent.
A Vulture Tribute to Charlie Day’s Best It’s Always Sunny Screaming
The Dark Side of the Rainbow.
Filed under “Watch Later”.
Waiting for Godot: The Videogame.
Via The Incomparable
I dare you not to laugh.
Although there are points where this video reminded me of the sex scene in American Psycho. Is that an association they were going for?
Broadsheet points out that Alan Parker’s The Commitments was released on this day 20 years ago
The Strokes’ This is it being 10 years old makes no sense to me. Nirvana’s Nevermind being 20 years old makes even less sense. But somehow, The Commitments being 20 years old makes a lot of sense. In fact, it feels older. Watch it now. It’s hard to believe Dublin could change so much (aesthetically, spiritually) in just 20 years.
Attempts to shoehorn a sexual sub-plot into its ad aside, TwelveSouth’s BookBook looks like a genuinely fantastic product. And I love the idea that wallets are now convergent devices.
Although I’m trying to figure out where I’d put it. My phone goes in my front pocket and my wallet goes in the back. I’d say the BookBook would lead to a few days of occasionally freaking out thinking I’d lost one or the other.
**Sing-Along of the Day:** The cosplaying cast of _It’s Always Sunny In Philadelphia_ do the “Dayman Song” for the Comic-Con crowd at yesterday’s Hall H panel. > >[buzzfeed.]
Here’s MetaFilter’s Cobalt describing what’s happening
Riccardo Muti was conducting Nabucco at the Opera di Roma, until -to his delight- he was forced to interrupt the performance by pressure from the crowd.
As part of the massive celebrations for the 150th anniversary of the unification of Italy in 2011, the Opera was packed to the rafters to see Giuseppe Verdi’s famous work. A political opera, it deals with the enslavement of Jews in Babylon. Its famous “Va Pensiero” chorus is the song of oppressed slaves, and symbolises the fight for freedom for many Italians, who struggled under the Habsburg empire in the 1860s and has become Italy’s unofficial anthem. Rome’s mayor, Gianni Alemanno, took the stage before the start and spoke passionately against the budget cuts to the arts and culture the central government had done, in essence railing against his own party and political allegiances, and setting the tone for a very special evening.
The intensity was palpable and the audience was rapt. When the Va Pensiero chorus came, “O my country, so lovely and so lost”, the cries of “Encore!” and “Viva Italia!” began to sound. By the time it finished, the roar of the crowd was immense.
Muti had allowed an Encore only once in his career, at La Scala in 1986, and he was not likely to do it again unless the occasion really deserved it, but the crowd had touched him deeply. He turned around and spoke: “Yes, I agree, long live Italy, but…I’m not 30 anymore, I’ve lived my life and travelled the world, and it pains me to see what is happening to our country. So, I will accede to your request for an Encore, not only for the patriotism I feel, but because as the chorus was singing, I thought that if we allow this murdering of the culture on which our history was built, then it truly will be “lovely and lost”…..Let us now give this chorus a special meaning. We are home, at the theatre of Rome, let us all join together and sing.”
And so they did.
I read about this somewhere – probably the Economist – and thought “holy shit, I wish I’d seen that, that sounds like it was really something.”
Now I’ve seen it and, holy shit, it’s really something.
Half-hour documentary about the Eli vs Envy freestyle battle.
Read that again: a half hour documentary. Amazing. As Andy Baio says, we need this for every internet meme.
Leonard Maltin introduces the new Laserdisc company, Criterion.
A day in the life of John Lasseter. From a technology point of view, it’s fascinating to see Pixar at work. Like how quickly they integrated the iPad into their workflow.
Thin Lizzy vs The Pixies. OH JESUS I’M CONFUSED.
Kenny Powers is the new CEO of K-Swiss > >
I’m the CEO. You shut up.
They Might Be Giants cover Chumbawamba’s “Tubthumping” as part of The AV Club’s “Undercover” series. Check out the rest of the series. Like Low covering Toto’s “Africa”.
Sixteen bits!
Here’s to feeling good all the time. > >
**RIOT DOG!!!! ** > >
For Helena, who is weirdly captivated by Riot Dog.
Never mind the visuals. Nothing beats the Jaaaaam version of ‘The Gush’.
This is simultaneously fucking terrifying and oddly erotic. > >(via Metafilter)
I’d love to see Honey, I Shrunk the Kids re-cut to the music of Serge Gainsbourg.
Trailer for Pixar’s Brave. Character design really reminds me of The Secret of Kells
Il cielo in una stanza.
Stavo cercando il testo della canzone per la mia lezione di domani e sono rimasta folgorata da qesto video di Mina. Non lo so perchè, credo per le mani. O per gli occhi chiusi. o perchè è perfetta. Vedete un pò voi.
Pam, I’ll see your Mina and raise you Mike Patton:
reley dont wan to say this, but i have to now. this game is so esey. i mean, all you do is hit the spacebar. thats it! how is this an RPG anyway? you cant contrail anything but what it says on > the screen! what if i didnt want to buy the potion? what apout quests? all you can upgrade is stranth? there is no way you can lose to the boss at > the end! this game is crap! its not even an RPG at all! i mean look at it! in what way is this supposed to be an RPG if you can do quests and stuff? all you do is press one butten the entier time! explain to me! the athore coments al totol lies! is it supposed to be stick dudes? i dont even know how this damn game got the daily 3rd prize, or a rating of 4.26!
pepole think this review is worthles.
go ahead! say it! i dont care! im just trying to make a point here!
blam this piece of crap!!!!P.S the only reson im giving this a 1 is beacuase the voices where pretty good. but thats it!
So psyched for this film. I’m going to watch Days of Heaven to get myself even more psyched.
It’s like Fairytale of New York for a new generation. What makes it even better is the collaborative effort that went into the making of it. Here’s the thread on Thumped that started it all.
Update: After having the song stuck in my head since I posted this a few hours ago, I’ve decided it’s not the new Fairytale of New York. It’s the new Feliz Navidad.
Thrush from Gabriel Bisset-Smith on Vimeo.
I have a very, very low tolerance for mashups, so believe me when I say this one is actually well done.
That Christopher Nolan is one flash cunt, isn’t he?
I still think Conan the Barbarian is one of the greatest movies of the 80s.
Bonus video: Gabe and Max’s Internet Thing
Another new piece of console tech, another god-awful Star Wars license. Did anyone involved in the development of this ACTUALLY think they’d hit gold with this?!
Much as I liked the 1995 Paul W.S. Anderson movie, THIS is the Mortal Kombat movie I want to see. (via Fidgit)
30-minute short film created inside Red Dead Redemption directed by John Hillcoat, who previously directed The Road and The Proposition.
The future’s almost here, folks.
Star Wars Uncut “The Escape” from Casey Pugh on Vimeo.
Teaser for Star Wars Uncut, where people recreate A New Hope In 15-second scenes. From the teaser, this looks very charming.
I wasn’t going to post this video, but then I got an email telling me that I was the only site on the internet that hadn’t gushed about it and that if I didn’t sort it out sharpish, I’d have my email account revoked.
“Ah! That is SO Christmassy.”
Pomplamoose cover Lady Gaga’s Telephone
Complete with Shamless Product Placement.
(via blitblit)
UK Resistance – Video Game Truth: FRAG DOLLS – EXCLUSIVE REVIEW
“Wouldn’t, would, wouldn’t, would, would, would, might.”